|
"John Stork is a craftsman with both a high degree of sensitivity and
consistency. I highly recommend his custom mouthpieces!"
Randy
Brecker, Trumpet, Recording Artist
"The custom work that
john has done for me is the best I've seen. The duplications are
indistinguishable from the originals!"
James Thompson,
Former Principal Trumpet Montreal and Atlanta Symphony
"Superior craftsmanship and extreme reliability give Stork my highest
ratings. An expert in every sense of the word. Bravo Stork!!"
Jerome Ashby, Associate Principal Horn, New York Philharmonic
"It's really
great to have someone around who can do good work on mouthpieces. Everything
John has done for me has been beautiful work. I can highly recommend his work."
Warren Deck, Tuba, New York
Philharmonic
"I have known Mr. Stork for several years now through our mutual association with Mr. Giardinelli. I find him to be one of the most knowledgeable people I have ever met in relation to the art of making mouthpieces. He is also
co-operative, open-minded and easy to work with. I recommend him most highly for
mouthpiece work."
Lewis Soloff, Trumpet, Recording Artist
"Not only is John Stork's work a model of precision and craftsmanship,
but his knowledge of the mouthpiece has been of invaluable assistance to my
professional needs. Thank you, John!"
Joseph Alessi, Principal
Trombone, New York Philharmonic
"New York has long-needed a custom mouthpiece maker who
not only understood the techno-mechanical side of the art, but also
understood the human side, the feeling side, of playing and the needs that
engenders. Now we have someone who truly fulfills that role-John Stork!"
Marvin
Stamm, Trumpet, Recording Artist
"My Stork custom piccolo mouthpiece has helped make the
Brandenburg
Concerto almost a pleasure to play. John Stork's custom mouthpiece work is outstanding. He is a craftsman of unusual ability
and great understanding of
brass players' problems. An unbeatable combination!"
Bernard
Adelstein, Principal Trumpet, Cleveland Symphony
"John Stork represents a rare equipoise of technique and moral. The
technique arises from a vast knowledge of existent stock an custom forms in
addition to his own creations of which my mouthpiece is one. The moral is unique
in my experience when dealing with someone at his level of craft. No arguments,
no pressure. Even when I don't know what I want beyond a sonic goal, I am aided,
not told what I really want, should want, must settle for, etc. The care is
there."
Philip Myers, Principal Horn, New York Philharmonic

"AS UNIQUE TO THE
INDIVIDUAL... As His OWN TALENT "
Stork Custom Mouthpieces |